Friday, February 28, 2014
Friday, February 21, 2014
Tuesday, February 11, 2014
LIT TERM 5
Parallelism: creating two seperate ideas in a novel that never come together at any point.
Parody:a comic relief of a popular or well known subject to induce humor
Pathos:the literary tool of connecting the reader to the subject matter of he story.
Pedantry: excessive concern of minor details of factors.
Personification:giving human like qualities to non human things
Plot:the direction and occurences in a story, the events that occur
Poignant: evoking a keen sense if panic or regret
Point of view: the frame of view where the story is being told or described.
Postmodernism: a style of writing most known for its conflict with moral or ethic descitions
Prose:the rythem in which the author writes or delivered speach
Purpose: the reason the author chose to write about a subject, what they want to debate.
Realism:writing style characteristic of harsh reality. Post romantic where the world seems cruel
Refrain:a small pause in which characters in a story may gather their thoughts or prepare for something.
Requiem:a demand that is non negotionoble and unavoidable
Resolution: the point of a story where loose ends are tied and the climax is finally settled.
Restatement: a re wording of a phrase or point to clarify a point that was attempted to be made.
Rhetoric: the art of using fluid persuasive vocabulary to aid your argument or statement.
Rhetorical questions: questions asked for dramatic effect which are not ment to be answered
Rising action: pre climax buildup of tension used to create drama in a story.
Romantiscism: a largely fictional genre where a hero goes on a innocent quest to find some truth.
Satyre: a play off a darker aspect of life or society used to express exasperation at injustice.
Scansion: determining the meter or length of verse
Setting: the time and place of a story to occur as well as the characters involved
Parody:a comic relief of a popular or well known subject to induce humor
Pathos:the literary tool of connecting the reader to the subject matter of he story.
Pedantry: excessive concern of minor details of factors.
Personification:giving human like qualities to non human things
Plot:the direction and occurences in a story, the events that occur
Poignant: evoking a keen sense if panic or regret
Point of view: the frame of view where the story is being told or described.
Postmodernism: a style of writing most known for its conflict with moral or ethic descitions
Prose:the rythem in which the author writes or delivered speach
Purpose: the reason the author chose to write about a subject, what they want to debate.
Realism:writing style characteristic of harsh reality. Post romantic where the world seems cruel
Refrain:a small pause in which characters in a story may gather their thoughts or prepare for something.
Requiem:a demand that is non negotionoble and unavoidable
Resolution: the point of a story where loose ends are tied and the climax is finally settled.
Restatement: a re wording of a phrase or point to clarify a point that was attempted to be made.
Rhetoric: the art of using fluid persuasive vocabulary to aid your argument or statement.
Rhetorical questions: questions asked for dramatic effect which are not ment to be answered
Rising action: pre climax buildup of tension used to create drama in a story.
Romantiscism: a largely fictional genre where a hero goes on a innocent quest to find some truth.
Satyre: a play off a darker aspect of life or society used to express exasperation at injustice.
Scansion: determining the meter or length of verse
Setting: the time and place of a story to occur as well as the characters involved
Monday, February 3, 2014
LIT TERMS 4
interior monologue- expressing a character's inner thoughts
inversion- the action of inverting something
juxtaposition- the fact of two things being seen or placed close together with contrasting effect
lyric- expressing the writer's emotions, usually briefly and in stanzas or recognized forms
magic(al) realism- magic elements are a natural part in an otherwise mundane, realistic environment
metaphor- a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable
vehicles- a thing used to express, embody, or fulfill something
metonymy- the substitution of the name of an attribute or adjunct for that of the thing meant, for example suit for business executive, or
the track for horse racing
modernism- modern character or quality of thought, expression, or technique
monologue- a long speech by one actor in a play or movie, or as part of a theatrical or broadcast program
mood- evokes certain feelings or vibes in readers through words and descriptions.
motif- a decorative design or pattern
myth- a traditional story, esp. one concerning the early history of a people or explaining some natural or social phenomenon, and typically
involving supernatural beings or event
narrative- a spoken or written account of connected events; a story
narrator- the one telling the story
omniscient point of view- narrator is a character in the story, but also knows the thoughts and feelings of all the other characters
onomatopoeia- the formation of a word from a sound associated with what is named
oxymoron- a figure of speech in which apparently contradictory terms appear in conjunction
parable- a simple story used to illustrate a moral or spiritual lesson
paradox- a statement or proposition that, despite sound (or apparently sound) reasoning from acceptable premises, leads to a conclusion that seems senseless, logically unacceptable, or self-contradictory
inversion- the action of inverting something
juxtaposition- the fact of two things being seen or placed close together with contrasting effect
lyric- expressing the writer's emotions, usually briefly and in stanzas or recognized forms
magic(al) realism- magic elements are a natural part in an otherwise mundane, realistic environment
metaphor- a figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable
vehicles- a thing used to express, embody, or fulfill something
metonymy- the substitution of the name of an attribute or adjunct for that of the thing meant, for example suit for business executive, or
the track for horse racing
modernism- modern character or quality of thought, expression, or technique
monologue- a long speech by one actor in a play or movie, or as part of a theatrical or broadcast program
mood- evokes certain feelings or vibes in readers through words and descriptions.
motif- a decorative design or pattern
myth- a traditional story, esp. one concerning the early history of a people or explaining some natural or social phenomenon, and typically
involving supernatural beings or event
narrative- a spoken or written account of connected events; a story
narrator- the one telling the story
omniscient point of view- narrator is a character in the story, but also knows the thoughts and feelings of all the other characters
onomatopoeia- the formation of a word from a sound associated with what is named
oxymoron- a figure of speech in which apparently contradictory terms appear in conjunction
parable- a simple story used to illustrate a moral or spiritual lesson
paradox- a statement or proposition that, despite sound (or apparently sound) reasoning from acceptable premises, leads to a conclusion that seems senseless, logically unacceptable, or self-contradictory
LIT TERMS 3
exposition- The beginning
expressionism- a style of painting, music, or drama in which the artist or writer seeks to express emotional experience rather than
impressions of the external world
fable- a short story
fallacy- a mistaken belief, esp. one based on unsound argument
falling action- what happens after the climax
farce- a comic dramatic work using buffoonery and horseplay and typically including crude characterization
figurative language- expressing ideas indirectly; language used in a special way to create a special effect made up of words and phrases
which don’t mean what they first appear to mean
flashback- a scene in a movie, novel, etc., set in a time earlier than the main story
foil- prevent (something considered wrong or undesirable) from succeeding
folk tale- a story originating in popular culture, typically passed on by word of mouth
foreshadowing- be a warning or indication of (a future event)
free verse- poetry that does not rhyme or have a regular meter
genre- a category
gothic tale- genre or mode of literature that combines elements of both horror and romance
hyperbole- exaggerated statements or claims not meant to be taken literally
imagery- visually descriptive or figurative language, esp. in a literary work
implication- the conclusion that can be drawn from something, although it is not explicitly stated
incongruity- the state of being incongruous or out of keeping
inference- a conclusion reached on the basis of evidence and reasoning
irony- the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect
expressionism- a style of painting, music, or drama in which the artist or writer seeks to express emotional experience rather than
impressions of the external world
fable- a short story
fallacy- a mistaken belief, esp. one based on unsound argument
falling action- what happens after the climax
farce- a comic dramatic work using buffoonery and horseplay and typically including crude characterization
figurative language- expressing ideas indirectly; language used in a special way to create a special effect made up of words and phrases
which don’t mean what they first appear to mean
flashback- a scene in a movie, novel, etc., set in a time earlier than the main story
foil- prevent (something considered wrong or undesirable) from succeeding
folk tale- a story originating in popular culture, typically passed on by word of mouth
foreshadowing- be a warning or indication of (a future event)
free verse- poetry that does not rhyme or have a regular meter
genre- a category
gothic tale- genre or mode of literature that combines elements of both horror and romance
hyperbole- exaggerated statements or claims not meant to be taken literally
imagery- visually descriptive or figurative language, esp. in a literary work
implication- the conclusion that can be drawn from something, although it is not explicitly stated
incongruity- the state of being incongruous or out of keeping
inference- a conclusion reached on the basis of evidence and reasoning
irony- the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect
Monday, January 27, 2014
LIT ANALYSIS - GREAT EXPECTATIONS
1. Great expectations is about Pips great expectations he has for his life. When Pip is young he meets Estella who he falls in love with. Pip is left a great deal of money which he thinks is left by Estella's mother so that he can provide a good life for her but he later realizes it was not. Pip then moves to London and money changes Pip into a more materialistic man. When Pip realizes that the money was left not so the him and Estella could be together he changes himself back into a more humble man. He then realizes that Estella will always be apart of his life as one of his "great expectations".
2. The theme of this novel is to not let money change you. When Pip inherits money he changes into a gready person but when he realizes that money cant buy happinous he becomes more humble again.
3. Dickens mood of the book is a mix of comedy and tragity.
4. 1. Characterization- Pip is main character who has many life changes.
2. Setting - London and a village where he grew up.
3. Genre - novel
4. Dialogue - "yes Pip," said Joe.
5. hyperbole - I sometimes used to wonder whether it was possible she washed herself with a nutmeg-grater instead of soap.
6. motif - to be with Estella.
7. characterization - Estella is girl Pip wants to be with.
8. narrator - is Pip.
9. point of view - first person.
10. antagonist - Estella.
2. The theme of this novel is to not let money change you. When Pip inherits money he changes into a gready person but when he realizes that money cant buy happinous he becomes more humble again.
3. Dickens mood of the book is a mix of comedy and tragity.
4. 1. Characterization- Pip is main character who has many life changes.
2. Setting - London and a village where he grew up.
3. Genre - novel
4. Dialogue - "yes Pip," said Joe.
5. hyperbole - I sometimes used to wonder whether it was possible she washed herself with a nutmeg-grater instead of soap.
6. motif - to be with Estella.
7. characterization - Estella is girl Pip wants to be with.
8. narrator - is Pip.
9. point of view - first person.
10. antagonist - Estella.
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